{"id":1033,"date":"2025-08-24T20:35:42","date_gmt":"2025-08-24T19:35:42","guid":{"rendered":"https:\/\/southasianfilmstudies.org.in\/?page_id=1033"},"modified":"2025-08-24T20:41:03","modified_gmt":"2025-08-24T19:41:03","slug":"elementor-1033","status":"publish","type":"page","link":"https:\/\/southasianfilmstudies.org.in\/?page_id=1033","title":{"rendered":"Publications"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1033\" class=\"elementor elementor-1033\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8rm4yc6 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8rm4yc6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-34bddb5\" data-id=\"34bddb5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c953dea elementor-widget elementor-widget-heading\" data-id=\"c953dea\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.13.3 - 28-05-2023 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h5 class=\"elementor-heading-title elementor-size-medium\">Edited By\u00a0Vivek Sachdeva,\u00a0Hariprasad Athanickal,\u00a0Chandrakant A. Langare<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-78070f6 elementor-widget elementor-widget-heading\" data-id=\"78070f6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">South Asia in Alternative Cinema(s)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-44c13d5 elementor-widget elementor-widget-button\" data-id=\"44c13d5\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"https:\/\/www.routledge.com\/South-Asia-in-Alternative-Cinemas\/Sachdeva-Athanickal-Langare\/p\/book\/9781032454603\" class=\"elementor-button-link elementor-button elementor-size-sm\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-text\">bUY HERE<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-6ef42b2\" data-id=\"6ef42b2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-5bf0280 elementor-widget elementor-widget-image-carousel\" data-id=\"5bf0280\" data-element_type=\"widget\" data-settings=\"{&quot;slides_to_show&quot;:&quot;1&quot;,&quot;navigation&quot;:&quot;none&quot;,&quot;autoplay&quot;:&quot;yes&quot;,&quot;pause_on_hover&quot;:&quot;yes&quot;,&quot;pause_on_interaction&quot;:&quot;yes&quot;,&quot;autoplay_speed&quot;:5000,&quot;infinite&quot;:&quot;yes&quot;,&quot;effect&quot;:&quot;slide&quot;,&quot;speed&quot;:500}\" data-widget_type=\"image-carousel.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.13.3 - 28-05-2023 *\/\n.elementor-widget-image-carousel .swiper,.elementor-widget-image-carousel .swiper-container{position:static}.elementor-widget-image-carousel .swiper-container .swiper-slide figure,.elementor-widget-image-carousel .swiper .swiper-slide figure{line-height:inherit}.elementor-widget-image-carousel .swiper-slide{text-align:center}.elementor-image-carousel-wrapper:not(.swiper-container-initialized):not(.swiper-initialized) .swiper-slide{max-width:calc(100% \/ var(--e-image-carousel-slides-to-show, 3))}<\/style>\t\t<div class=\"elementor-image-carousel-wrapper swiper\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/southasianfilmstudies.org.in\/wp-content\/uploads\/2025\/08\/1752409546-e1756064128549.png\" alt=\"1752409546\" \/><\/figure><\/div><div class=\"swiper-slide\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/southasianfilmstudies.org.in\/wp-content\/uploads\/2025\/08\/saiac.jpg\" alt=\"saiac\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-a8380db elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a8380db\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-2100e88\" data-id=\"2100e88\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3e19785 elementor-widget elementor-widget-text-editor\" data-id=\"3e19785\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.13.3 - 28-05-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><em>South Asia in Alternative Cinema(s)\u00a0<\/em>explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the \u201cNew Wave\u201d in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental\/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made.<\/p><p>The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9f99711 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9f99711\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-da5d170\" data-id=\"da5d170\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Edited By\u00a0Vivek Sachdeva,\u00a0Hariprasad Athanickal,\u00a0Chandrakant A. Langare South Asia in Alternative Cinema(s) bUY HERE South Asia in Alternative Cinema(s)\u00a0explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/southasianfilmstudies.org.in\/?page_id=1033\"> <span class=\"screen-reader-text\">Publications<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/pages\/1033"}],"collection":[{"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1033"}],"version-history":[{"count":5,"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/pages\/1033\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=\/wp\/v2\/pages\/1033\/revisions\/1055"}],"wp:attachment":[{"href":"https:\/\/southasianfilmstudies.org.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}